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Senufo Hunting Tunic Handwoven African Art

$ 396

Availability: 100 in stock
  • Original/Reproduction: Original
  • Restocking Fee: No
  • Item must be returned within: 30 Days
  • Return shipping will be paid by: Buyer
  • Material: cotton, leather, wood, shell, bone, glass, wood, horn
  • Color: Senufo Hunting Tunic Handwoven African Art
  • All returns accepted: Returns Accepted
  • Refund will be given as: Money back or replacement (buyer's choice)

    Description

    Title
    Senufo Hunting Tunic Handwoven African Art
    Type of Object
    Hunter Tunic or jacket
    Country of Origin
    Mali
    Materials
    cotton, leather, wood, shell, bone, glass, wood, horn
    Approximate Age
    Mid 20th century
    Height (in)
    30
    Width (in)
    24
    Other Dimensions
    Neck opening: 7 x 10 inches
    Overall Condition
    Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
    Additional Information:
    This old hunter's tunic comes from the Bamana people of Mali. Bamana hunting-related items are well-known and quite sought-after, and collectors love these pieces since they almost always have a fascinating array of protective and "good-luck" amulets attached to their surface. Our tunic is old authentic examples of Bamana hunter's tunic richly decorated with multiple small leather fetish packets sewn on and filled with unknown magical substances. The amulets intend to ensure a successful and safe hunting. The wilderness is regarded as both dangerous and valuable, both as a source of food and as a source of spiritual gifts. The amulets provide safety and its contents were known only to the owner. This was one item of a hunter outfit that would include  a hat, a tunic ,and a pants or a skirt.  This is an old jacket dates from the  late nineteenth or early twentieth century. Besides its poor condition, it remains piece for what it represents for the Bamana culture.
    The artistic diversity of the Bamana is without doubt one of the most astounding and confounding, of all West African groups. Like their western neighbors the Dogon, complex religious, funerary, initiation, and agricultural rites have resulted in an enormous pantheon of ritual objects.
    Recommended Reading:
    Sarah C. Brett-Smith, The Making of Bamana Sculpture Creativity and Gender. Cambridge University Press, 1994, 352p.
    Jean-Paul Colleyn (editor), Bamana. The Art of Existence in Mali.Museum For African Art, New York, Snoeck-Ducaju & Zoon, Gent; Museum Rietberg Zurich, 2001, 263p.
    **135610**
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